![]() ![]() If you feel me, please submit a feature request here. Editors should be able to bypass the hassle of channel mapping and sequence settings when merging and exporting clips. Premiere Pro (AND PRELUDE!!!) should intuitively recognize when editors are exporting merged clips and provide the option to export synced audio with identical channel setup as its source. Solution: a 'Preserve source audio channels' check box under the audio tab in the export window. Setting up Premiere Pro to export clips with preserved source audio channels is a long, long road. However, the advantage of working with synced 'master' files is lost if the source audio channels are mixed down during export out of Premiere Pro. ![]() This is an excellent workaround for logging synced footage in Prelude. Doing so creates high-quality 'master' files with sync sound that can easily be shared during postproduction. Some editors (yes, even Premiere Pro editors) prefer to transcode their footage after merging it with production sound. Preserve Source Audio Channels When Exporting Merged Clips Sync sound filmmakers need to be able to sync footage with production audio in Prelude before adding comments or metadata. Please add the ability to merge clips in Prelude. Select 'Prelude' from the product name drop down, fill in the required fields, and copy the text below into the request box: ![]() It's so basic-all they need to do is integrate the existing merge clips function from Premiere Pro. Adobe needs to prioritize this simple feature above every other update. How can Adobe expect sync sound filmmakers to get the most out of Prelude when they can't sync their clips inside it? Do they think producers or directors are going to settle for making comments and adding metadata to footage that doesn't have sync sound? Put it that way, Prelude sounds worthless for anything but b-roll. I was sorely disappointed when I did not see this feature added in the CC 2014.1 release. Naturally, majority determines priority when it comes to the timing of feature requests, so this is my attempt to create some noise around two basic changes Adobe needs to make in Prelude and Premiere Pro. But what distinguishes Adobe and Premiere Pro is their attention to the needs of editors and their speed in releasing solutions. ![]()
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